Passions and Subjectivity in Early Modern Culture


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Don Quijote de la Mancha. Space constraints preclude me from discussing all the essays in detail, but those that stood out to me included Christopher Tilmouths essay, which takes up recent work on inter-subjectivity to show how this understanding of early modern selfhood helps us read accounts of the passions more accurately; Russ Leo's, on Spinoza; Cummings's 'Donne's Passions: Emotion, Agency and Language'; Felicity Greens essay on Montaigne and emotion; Katherine Fletcher on how Milton's monism pushes him to counter Cartesian dualism in his writing; and Katrin Ettenhuber's essay on Augustine, Donne, and grief.

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Far from the disembodied, "intellectual" Woolf who still reigns in some circles, Cuda deftly exposes a Woolf who was so profoundly invested in valorizing the passions that she even "wonders whether this kind of sensuous, conscious passivity might be the only authentic mode of experiencing the self' Agreeing with the arguments of Joshua Rifkin and Andrew Parrot, Melamed cites the design of the extant performing parts for the Passions to demonstrate that these were used by only one singer.

Hearing Bach's Passions. But his main point is decidedly ahistorical: "the stubborn, consecutive, rich thinking about the passions is one of the best arguments that we have for cultural memory, for a sustained core account of human nature in spite of the constructions of culture, power, and historical moment. Rediscovering the self. This volume of essays contributes to our understanding of the ways in which the Jesuits employed affectus , affects, passions, or emotions to reach this goal.

Affects and emotions were aroused and portrayed in theatrical events of all kinds: joyous entries and dramatic performances, whose scripts were in Latin, and in the vernaculars, meditational dramas. One of the merits of this volume is to show the employment of affects by Jesuits in this broad range. Peter Meineck on cognitive theory and Greek drama. Keith M.

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I thank Arie Eikelboom for pointing me to this theory. In modern editions, see Johann Mattheson, Der vollkommene Capellmeister, , ed.

Margarete Reimann facs. James A. Parente Jr. That is, the more Lutheran Protestants did, whereas Calvinists tended to stress the juridical justification of man: mankind has to be granted justice.

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Norland, eds. Henry S. Iesu tragoediae Antwerp: Johannes Cnobbarus, , index. Currency and addition of Tax VAT depend on your shipping address. Open Access.


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Passions and subjectivity in early modern culture [Book Review]

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Holquist Trans. Austin: University of Texas Press. Bartra, R. Barcelona: Anagrama. Buccola, R. Freya Sierhuis University of York - dapil. Buccola Ed.

A critical guide pp. London: Continuum. Clark, A. Mary Floyd-Wilson Editor.

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Garrett A. Publication Date. June Renaissance Drama. Drama and Performance Studies. Page Count. Trim Size. Mary Floyd-Wilson. Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture.

Passions and Subjectivity in Early Modern Culture Passions and Subjectivity in Early Modern Culture
Passions and Subjectivity in Early Modern Culture Passions and Subjectivity in Early Modern Culture
Passions and Subjectivity in Early Modern Culture Passions and Subjectivity in Early Modern Culture
Passions and Subjectivity in Early Modern Culture Passions and Subjectivity in Early Modern Culture
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